Martin O’Donnell offers a court-approved assertion to resolve one other authorized dispute
Martin O’Donnell, the previous Halo and Future composer whom Bungie fired in 2014, this weekend requested followers to take down, cease sharing, and even destroy copies of his non-commercial work for the Future franchise, which he had been sharing on-line since 2019.
“This materials is owned by Bungie,” O’Donnell mentioned, studying a court-approved assertion that resulted from a authorized motion earlier this fall. “In the event you posted any of those property on an internet site or different publicly obtainable platform, it’s best to take away the content material instantly. If in case you have copies of those property, it’s best to chorus from sharing and destroy any copies of them.”
In September, O’Donnell was found in contempt of court in Washington state for violating the phrases of a 2015 injunction forbidding him from sharing or performing any of his music associated to Future or “Music of the Spheres.”
O’Donnell joined Bungie in 1999 and produced the music for Oni and Bungie’s Halo video games till 2010’s Halo: Attain. Initially, he and longtime collaborator Michael Salvatori (in addition to The Beatles’ Paul McCartney) had been to develop “Music of the Spheres” because the soundtrack to span all the Future sequence, which Bungie was creating for Activision. However the writer elected to not use that music to advertise the primary recreation at E3, resulting in a sequence of incidents, a few of them carried out in public view, which led to Bungie firing O’Donnell.
Though O’Donnell received a subsequent wrongful termination lawsuit in 2015, he was nonetheless ordered to return all materials associated to Future and “Music of the Spheres,” whether or not completed work, drafts, or in any other case. However on the finish of 2017, the soundtrack made its way online — and O’Donnell himself said “nobody on this planet can forestall me from supplying you with my blessing” to share the music.
On the time, two youngsters who had been attempting to recreate “Music of the Spheres” from publicly obtainable materials mentioned that they had been contacted “by somebody with a duplicate of Music of the Spheres who needed it to be public,” Kotaku reported. The 2 didn’t identify their supply.
Bungie then officially released Future’s authentic soundtrack in 2018, and in 2019, O’Donnell began importing music and different content material associated to that work on his YouTube and Bandcamp channels. That introduced a contempt-of-court problem from Bungie this spring, a ruling in Bungie’s favor in September, and now this be aware to followers (in addition to a $100,000 penalty towards O’Donnell).
O’Donnell is credited, together with Salvatori, McCartney, and C. Paul Johnson, on the primary Future OST. His most up-to-date online game soundtrack is for the PlayStation VR title Golem, developed by Highwire Video games, a studio he co-founded in 2015.